Opar, Intégrale: French-language Khokarsa series omnibus

In November 2016, Éditions Mnémos will be publishing Opar, Intégrale, a French-language omnibus encompassing Hadon of Ancient Opar, Flight to Opar, and The Song of Kwasin. This is the first French collection of the original Khokarsa/Ancient Opar trilogy, and also marks the first translation into French of The Song of Kwasin, which I coauthored with Philip Jose Farmer. I don’t yet know who the cover artist is but I love the artwork!*

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Opar, Intégrale is currently available for preorder from Amazon France and direct from the publisher.

Update: According to the Internet Speculative Fiction Database, the cover artist is Grant Regan and the translator of The Song of Kwasin (Le Geste de Kwasin) is Laura Dupra. The translator of Hadon of Ancient Opar (Hadon, fils de l’antique Opar) and Flight to Opar (Fuite à Opar) is George H. Gallet.

HADON, KING OF OPAR is out of print

HKOO-1Both the hardcover and paperback editions of Hadon, King of Opar are now out of print at the publisher. The good news is that it will soon be available for the first time in an ebook edition—stay tuned for details!

Meanwhile, copies of Blood of Ancient Opar are still available from Meteor House at the time of this posting. It’s also a limited edition (like the sold-out Hadon, King of Opar and Exiles of Kho were), so I recommend picking it up now while you still can if you want a print copy.

FarmerCon XI/PulpFest 2016 recap

Last week I flew out to Columbus, Ohio to attend my fifth consecutive PulpFest, which also played host to FarmerCon XI, the annual Philip José Farmer convention. As usual, I had a blast reconnecting with old friends and meeting new ones. Here are a few photos from the con:

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The welcoming banner.

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At the Meteor House table signing copies of BLOOD OF ANCIENT OPAR, which was released at the con.

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We sold a lot of copies at the show!

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At the Meteor House table unpacking copies of Sean Lee Levin’s new releases, CROSSOVERS EXPANDED, Volumes 1 and 2. From right to left: Paul Spiteri, Sean Lee Levin, Win Scott Eckert, and Mike Croteau.

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The Thursday night FarmerCon dinner at Max & Irma’s (we also had a much larger FarmerCon pizza party/dinner in the food court area of the hotel, not pictured).

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The FarmerCon panel on Collaborating with Philip José Farmer. Pictured from right to left, with the titles of our collaborations with Phil: Paul Spiteri (“Getting Ready to Write”), me (THE SONG OF KWASIN, “Kwasin and the Bear God”), Win Scott Eckert (THE EVIL IN PEMBERLEY HOUSE), and Danny Adams (THE CITY BEYOND PLAY, DAYWORLD: A HOLE IN WEDNESDAY). Photo courtesy of ThePulp.Net.

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One of the highlights at the con was when Mike Croteau of Meteor House presented me with artist Bob Eggleton’s concept sketch of the cover of BLOOD OF ANCIENT OPAR. Photo courtesy of Danny Adams.

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Another highlight was when Mike ushered me over to a dealer’s table where the original (and uncropped!) cover art for IRONCASTLE by J. H. Rosny (translated and retold by Philip José Farmer) was on display. Sadly, the $10,000 it was going for was out of my price range.

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A panoramic shot of the PulpFest dealer’s hall.

Review: Paperback Perils on BLOOD OF ANCIENT OPAR

TBOAO-cover-small2he first review of Blood of Ancient Opar is here! Check out what Bill Adcock has to say about the book over at Paperback Perils. Here’s a sample:

Blood of Ancient Opar is one part thrilling adventure in the pulp tradition, one part exploration of human nature, and one part solemn family drama worthy of Kurosawa, and if another drop of ink is never expended on Opar, then no better capstone could be asked for than Blood of Ancient Opar.

Read the entire review here.

Blood of Ancient Opar releases from Meteor House in early August (you can pick up a copy a couple weeks before that at PulpFest in Columbus, Ohio) and can be preordered here.