FarmerCon XI/PulpFest 2016 recap

Last week I flew out to Columbus, Ohio to attend my fifth consecutive PulpFest, which also played host to FarmerCon XI, the annual Philip José Farmer convention. As usual, I had a blast reconnecting with old friends and meeting new ones. Here are a few photos from the con:

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The welcoming banner.

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At the Meteor House table signing copies of BLOOD OF ANCIENT OPAR, which was released at the con.

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We sold a lot of copies at the show!

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At the Meteor House table unpacking copies of Sean Lee Levin’s new releases, CROSSOVERS EXPANDED, Volumes 1 and 2. From right to left: Paul Spiteri, Sean Lee Levin, Win Scott Eckert, and Mike Croteau.

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The Thursday night FarmerCon dinner at Max & Irma’s (we also had a much larger FarmerCon pizza party/dinner in the food court area of the hotel, not pictured).

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The FarmerCon panel on Collaborating with Philip José Farmer. Pictured from right to left, with the titles of our collaborations with Phil: Paul Spiteri (“Getting Ready to Write”), me (THE SONG OF KWASIN, “Kwasin and the Bear God”), Win Scott Eckert (THE EVIL IN PEMBERLEY HOUSE), and Danny Adams (THE CITY BEYOND PLAY, DAYWORLD: A HOLE IN WEDNESDAY). Photo courtesy of ThePulp.Net.

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One of the highlights at the con was when Mike Croteau of Meteor House presented me with artist Bob Eggleton’s concept sketch of the cover of BLOOD OF ANCIENT OPAR. Photo courtesy of Danny Adams.

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Another highlight was when Mike ushered me over to a dealer’s table where the original (and uncropped!) cover art for IRONCASTLE by J. H. Rosny (translated and retold by Philip José Farmer) was on display. Sadly, the $10,000 it was going for was out of my price range.

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A panoramic shot of the PulpFest dealer’s hall.